Japanese · Pronunciation Guide
One short beat: a hard g and a pure o, over almost before it starts.
go
A single mora, and like ni it feels startlingly brief. In counting chains its shortness is what keeps the sequence even: go must take exactly half the time of the two-mora numbers around it. There's no room for emphasis in a one-mora word — it's over too fast to build any.
Listen: 五
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五人で行きます。
Go-nin de ikimasu.
Five of us are going.
Listen: 五人で行きます。
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五人で行きます attaches the counter 人 to make go-nin, three morae with the ん as the middle beat. The sentence then gives you 行きます, where the ki between two voiceless consonants often devoices — so "ikimasu" can come out closer to "ik'masu" in fast speech. Two different mora phenomena in one short sentence.
The English "go" is a diphthong — it glides toward a w and takes a full stressed syllable. Japanese 五 is a pure monophthong lasting one mora. If you can hear your lips moving during the vowel, that's the English glide leaking in. Freeze the mouth position and cut the length: it should sound almost too short.