Japanese · Pronunciation Guide
ma-de, two short beats, ending on a flat "deh" rather than an English "day."
made
Neither beat is promoted, and the pitch simply climbs from ma to de and holds. Since this word attaches to the end of a noun phrase, its evenness keeps the whole phrase's rhythm intact — a swollen まで makes the noun in front of it sound truncated by contrast.
Listen: まで
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五時まで働きます。
Go-ji made hatarakimasu.
I work until five.
Listen: 五時まで働きます。
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五時まで働きます opens with 五時 (go-ji), two crisp morae, then まで, then a six-mora verb. 働きます is worth slowing down: ha-ta-ra-ki-ma-su, with a tapped r in the middle and a final devoiced su. Six equal beats in a row is a serious test of even timing, and the まで beforehand sets the tempo.
The final vowel is the trouble spot — "MAH-day" with a diphthong and an English stress on the first beat. Japanese e never glides. The other issue is length: learners stretch まで because it feels like a content word, when it behaves rhythmically much more like a suffix. Two short, level beats, then straight on to the verb.