Japanese · Pronunciation Guide
mi-tsu-ke-ru, four even beats, with a genuine tsu affricate in second position.
mitsukeru
Nothing in this word gets promoted: four identical slots, and an unaccented contour that rises after mi and stays flat. Four-beat words are where English rhythm does the most damage, because English almost never lets four syllables pass without promoting one of them. Japanese does exactly that.
Listen: 見つける
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いい店を見つけました。
Ii mise o mitsukemashita.
I found a good shop.
Listen: いい店を見つけました。
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いい店を見つけました starts with いい, a long i held for two beats, then 店 (mi-se), then the verb in its past form 見つけました — six morae. The sentence therefore opens with a deliberately held vowel and then asks for six absolutely level ones. If your final verb speeds up, the long vowel at the start will sound out of proportion.
Beginners produce "mit-SOO-keh-roo": the affricate split across a syllable boundary, a rounded u, and English stress on the second beat. Keep the tsu whole, keep the lips flat, and refuse to let any of the four beats grow. Because the word is long, the temptation to add an English stress peak is stronger here than on shorter verbs.