Japanese · Pronunciation Guide
One beat: lips together, then a pure o that doesn't move.
mo
One mora, unaccented, glued to the noun before it. Like every particle it takes its pitch from the surrounding phrase rather than having one of its own, and its duration is fixed no matter how much emphasis the sentence carries.
Listen: も
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私も行きます。
Watashi mo ikimasu.
I'm coming too.
Listen: 私も行きます。
Free browser voice. Hear it read by a real native speaker inside the LingoDrop app.
私も行きます attaches も directly to 私, giving four continuous morae: wa-ta-shi-mo. There's no pause at the seam, and the shi that would normally devoice at the end of 私 in isolation keeps more of its voicing here because a voiced m follows it — a small, real illustration of how devoicing depends on context.
English speakers stretch it and add the glide, producing "moh," and often pause before it because English marks "too" and "also" as separate words with their own stress. Japanese treats it as part of the noun phrase. Attach it, shorten it, and freeze your lips during the vowel so it ends exactly where it began.