Japanese · Pronunciation Guide
o-so-i, three beats — two identical o's and then a bare i, none of them merging.
osoi
Three beats, none longer than another, with the crest on so. The word is entirely vowel-heavy — only one real consonant in it — which makes it easy to slur into two syllables. Articulating each vowel to its full length is the only thing holding the rhythm together.
Listen: 遅い
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この電車は遅いです。
Kono densha wa osoi desu.
This train is slow.
Listen: この電車は遅いです。
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この電車は遅いです has 電車 (de-n-sha) before it, three morae with a nasal beat in the middle whose colour is shaped by the following sh. That vowel-less hum sits directly next to the vowel-rich 遅い, giving you the two extremes of Japanese mora structure in one short sentence.
What emerges untrained is "o-SOY" — the last two morae collapsed into the English vowel of "boy," with a stress peak on it. Keep the o pure and stationary, then give the i its own pulse. Learners also tend to lengthen the opening o because it stands alone; it's a short beat like the others.