Japanese · Pronunciation Guide
so-re, two short beats, ending in a flat "reh" — not "ray," and not an English r.
sore
Give so and re the same slice of time. Standard Tokyo speech leaves this unaccented, so the pitch rises from so to re and stays level — which means a following particle sits high rather than falling. Neither beat should sound like the word's centre of gravity.
Listen: それ
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それは私の席です。
Sore wa watashi no seki desu.
That is my seat.
Listen: それは私の席です。
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それは私の席です strings four short items together with no gaps: sore-wa-watashi-no-seki. 席 is worth attention — se-ki, where the final i sits between a voiceless k and the devoiced su of です, so in normal speech the whole ending can come out as a run of whispered sounds: "seki dess."
The usual English rendering is "SORE-ay," borrowing the English word "sore" wholesale and then adding a diphthong. Both vowels are short and pure, and the r is one instantaneous tap rather than the continuous, lip-rounded English approximant. If your lips move forward before the r, you've already left Japanese.