Japanese · Pronunciation Guide
su-ko-shi, three beats — the first and last vowels both whisper away, leaving mostly hiss.
sukoshi
Three slots, two of them essentially voiceless. This is a good word for proving to yourself that Japanese timing is measured rather than heard: the duration is unchanged whether or not the vowels carry voice, and a native version sounds thin but never rushed.
Listen: 少し
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今日は少し疲れました。
Kyou wa sukoshi tsukaremashita.
I'm a little tired today.
Listen: 今日は少し疲れました。
Free browser voice. Hear it read by a real native speaker inside the LingoDrop app.
今日は少し疲れました gives 疲れました afterwards — six morae opening with an affricate and ending in a shi-ta that also tends to devoice. So the sentence has whispered vowels at both ends of the phrase, with a fully voiced stretch in the middle. That distribution is very characteristic of natural Japanese.
Beginners voice everything, producing "SOO-ko-shee" with rounded lips and a stressed opening. Devoicing isn't sloppiness — it's the norm. Spread the lips, let the first and third vowels drop out of voice, and keep the timing at three even counts. An over-voiced 少し sounds like it's being spelled out rather than spoken.