Japanese · Pronunciation Guide
ta-be-mo-no, four even beats, and the two o's at the end should sound identical.
tabemono
Four slots at a single tempo, unaccented so the melody rises after ta and stays flat. The word is a compound of 食べ and 物, but the seam is invisible rhythmically — there's no pause and no shift of emphasis where the two halves meet.
Listen: 食べ物
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日本の食べ物はおいしいです。
Nihon no tabemono wa oishii desu.
Japanese food is delicious.
Listen: 日本の食べ物はおいしいです。
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日本の食べ物はおいしいです ends with おいしい, whose final i is held for two beats. Before that, 日本 contributes a moraic nasal. So the sentence has a hum, four flat beats and then a genuine long vowel, all of which need their proper share of time.
"ta-be-MO-no" stresses the third beat and weakens the fourth, and the e frequently drifts toward "bay." Level all four, anchor the e, and match the two o's. Because the word is long, English's urge to organise it with a stress peak is strong — resist and stay flat.