Japanese · Pronunciation Guide
to-te-mo, three quick beats — all short, all equal, none of them stressed.
totemo
Rhythmically this is as plain as Japanese gets: three short slots and no accent to break the flatness. Because the word means "very," English speakers instinctively want to emphasise it — but Japanese conveys the intensification lexically, and the word itself is delivered completely flat.
Listen: とても
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このケーキはとてもおいしいです。
Kono keeki wa totemo oishii desu.
This cake is very good.
Listen: このケーキはとてもおいしいです。
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このケーキはとてもおいしいです surrounds it with two long vowels: ケーキ (ke-e-ki) with a held first vowel, and おいしい with a held final one. Between them sits とても with nothing held at all. Saying the sentence at one tempo makes the contrast between held and unheld beats obvious.
The trap here is emphasis. Because "very" is a word English stresses for effect, learners produce "toh-TEH-moh" with a big middle and glided vowels. Japanese wants three identical short beats and no rise at all. Freeze the o's so they don't drift toward w, keep the e from becoming "ay," and resist making the word louder than its neighbours.