Japanese · Pronunciation Guide
u-ma-re-ru, four even beats with two taps in a row near the end.
umareru
Four units, no one of them longer, with the pitch cresting on re. Two taps in close succession invite slowing down, which throws the rhythm off; keep the tempo constant and let each tap be quick and light. The word should not feel like it has a difficult patch in the middle.
Listen: 生まれる
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私は日本で生まれました。
Watashi wa Nihon de umaremashita.
I was born in Japan.
Listen: 私は日本で生まれました。
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私は日本で生まれました gives the past form, five morae ending with a devoiced-prone shi-ta. 日本 in the middle is three morae (ni-ho-n) with a nasal beat at the end. Note that here it's read "nihon," not "nippon" — both readings exist, and this one keeps three beats rather than four.
The double tap defeats most learners, who produce "oo-ma-RAY-roo" with a single long English r covering both positions and a stressed diphthong in the middle. Separate them: re, then ru, with the tongue fully returning to rest between. Also unround that opening u, which English mouths automatically purse.