Italian · Pronunciation Guide
SPEK-kyoh, all in two tight syllables with a firmly doubled k in the middle. In IPA: /ˈspek.kjo/. Stress is on the first syllable.
Two syllables, spec and chio, with that second one squeezing three written letters, c-h-i, plus o, into a single quick "kyoh."
Listen: lo specchio (m.)
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Two Italian habits stack up here: the doubled cc holds longer than a single c, and the following -chio ending glides the i into the o instead of pronouncing it separately.
Mi guardo allo specchio.
I look at myself in the mirror.
Listen: Mi guardo allo specchio.
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"Specchio" is masculine, taking "lo" rather than "il" because Italian uses "lo" before masculine nouns that start with s + consonant (the same rule behind "lo studente" or "lo sport"). The example, "Mi guardo allo specchio," uses the reflexive verb "guardarsi" (to look at oneself), with "mi" marking that the subject and the one being looked at are the same person.
"Allo specchio" fuses "a" + "lo" into "allo," following that same s+consonant article rule; Italian requires this contraction, an English speaker's instinct to say "a lo specchio" as two separate words would sound distinctly off.
The most frequent mistake is skipping the "lo" article rule and defaulting to "il specchio," applying the more common masculine article without noticing that "specchio" starts with an s-consonant cluster. Italian nouns that begin with s + consonant, gn, ps, or z always take "lo"/"gli" instead of "il"/"i."
The other common slip is under-holding the double c, saying something like "SPEH-kyo" with a single light k, or alternatively voicing it toward a "g" sound. The cc here needs to be genuinely held, a firm, doubled "k," the same gemination pattern as the pp in "cappello."