Italian · Pronunciation Guide
SOHT-toh, with a closed, pure "oh" in both syllables and a doubled t held a beat longer than a single t. In IPA: /ˈsot.to/. The double consonant is real and audible, not just a spelling quirk.
Two syllables, sot and to, with stress on the first. The doubled t belongs to both syllables at once, closing the first and opening the second, which is what makes it sound noticeably longer than a single t.
Listen: sotto
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English doesn't usually stretch a consonant inside one word, but it does across word boundaries, think of the longer t in "hot tea" compared to the single t in "hotel." Italian double letters work the same way, and "sotto" is a clean example: hold that tt the way you'd hold the t's in "hot tea," not the quick tap in "hotel."
Il gatto è sotto il tavolo.
The cat is under the table.
Listen: Il gatto è sotto il tavolo.
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"Il gatto è sotto il tavolo" pairs "sotto" with the verb "è" (is) to describe simple physical location. Notice that "sotto," unlike prepositions such as "su" or "in," doesn't fuse with the following article: it's "sotto il tavolo," two separate words, not a contracted form like "sul tavolo" (su + il). "Sotto," "sopra," "dentro," and "dietro" all behave this way, staying uncontracted before "il, la, i," and so on.
This makes "sotto" one of the easier prepositions to plug straight into a sentence, since you don't have to remember a merged form the way you do for "a," "di," "da," "in," and "su."
The most common mistake is under-holding the geminate tt, collapsing it into a single quick t so "sotto" comes out closer to "SOH-toh." In Italian, single versus double consonants can change meaning entirely in other word pairs, so training the ear and mouth to hold doubles matters even here, where no minimal pair is at stake.
The other slip is treating the o's like the English long-o diphthong in "so" or "boat," which glides from "oh" toward a faint "oo" at the end. Italian's closed o stays level and pure the whole way through, with no glide tacked on.