Italian · Pronunciation Guide
WOH-moh — really closer to one syllable than two, since the u glides quickly into the o. In IPA: /ˈwɔ.mo/.
Written as two syllables, uo and mo, but Italians pronounce "uo" as a single rising diphthong, the u collapsing into a quick glide before the stressed vowel — much like "wall" isn't pronounced "u-all."
Listen: l'uomo (m.)
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This works the opposite way from "ciao": there, an i quietly disappeared into a consonant; here, a u quietly turns into a consonant-like glide, /w/, before the true vowel of the syllable.
Quell'uomo è mio zio.
That man is my uncle.
Listen: Quell'uomo è mio zio.
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"Quell'uomo è mio zio" shows the demonstrative "quello" eliding to "quell'" before a vowel-initial noun, the same family of elision as l' and un'. "Uomo" takes l' rather than the special masculine form "lo" (reserved for words starting with s+consonant, z, gn, ps, or x) simply because it starts with a vowel letter, even though it's pronounced with an initial /w/ glide.
"Mio zio," notice, drops the article that would normally accompany a possessive ("il mio amico"), because singular, unmodified family terms like zio, madre, and padre skip the article after a possessive — one of the few exceptions to the "la mia casa" pattern seen elsewhere.
English readers often sound out both vowels in "uo" separately, producing "oo-OH-moh" in three beats, since English spelling rarely uses u as a pure glide the way Italian does here. Italian collapses the u into a single quick /w/ onset, so the word should land closer to two syllables total, not three.
The visual resemblance to English "homo-" (as in "human," from the same Latin root) also tempts a long, closed, glide-y "oh." Italian's o here is the open kind, like the "aw" in "off," and stays short — not the drawn-out "oh" the English cognate suggests.